IDEAS, FORM & FUNCTION

Issey Miyake’s Fall/Winter 2025 collection, unveiled at the Carrousel du Louvre, showcased a stunning array of garments that blurred the lines between form and function, challenging our conventional understanding of clothing. Creative Director Satoshi Kondo drew inspiration from Erwin Wurm’s unconventional worldview, infusing the collection with four main ideas: Abstract Concrete, Body Object, Nature Fabrication, and Clothing Sculpture. The four main ideas challenged traditional ideas about clothing and its relationship to the human form. As guests entered the venue, they were greeted with an array of sculptures that set the stage for the innovative designs to come.

The Issey Miyake Fall/Winter 2025 show, titled “[N]either [N]or,” masterfully explored the aesthetics of ambiguity, pushing the boundaries of conventional fashion and encouraging viewers to question preconceived notions of form, function, and wearability. Led by Creative Director Satoshi Kondo, the collection showcased an intricate 50-look ensemble that blurred lines between seemingly disparate elements, creating a captivating and thought-provoking experience.

Issey Miyake’s Fall/Winter 2025 collection demonstrated the brand’s unwavering commitment to innovation and creativity, solidifying its position as a pioneer in the fashion industry. By embracing ambiguity and redefining the boundaries of fashion, Issey Miyake continues to inspire and challenge audiences to see clothing as an art form capable of transcending its practical purposes.

The resulting designs were a fusion of contrasting elements, as hard and soft textures collided to create innovative and thought-provoking pieces. Oversized forms, shorter ensembles, and Miyake’s signature pleats all made appearances, demonstrating the brand’s continued commitment to pushing the boundaries of fashion.

Issey Miyake’s Fall/Winter 2025 collection was a triumph of creativity and imagination, reminding us that clothing can be so much more than just functional attire—it can be a work of art that transforms the body into a canvas for self-expression and exploration.

The Issey Miyake Fall/Winter 2025 show was a stunning display of creativity and innovation, featuring a captivating blend of fashion, performance, and sculpture. The event began with performers interacting with sculptural props, drawing inspiration from Erwin Wurm’s philosophy of engaging viewers as co-creators.

The collection showcased garments that challenged traditional notions of form and function. Sweater sleeves enveloped hands, while shapeless shirting expanded into new silhouettes. Layered looks questioned conventional ideas about where clothing should fit, particularly when ribbed knitwear was placed on solid blocks with minimal guidance.

The final chapter of the show presented larger-than-life coats in striped teal, exaggerated puffer jackets, and towering knit hats, demonstrating the brand’s commitment to pushing boundaries and creating statement pieces.

Overall, the Issey Miyake Fall/Winter 2025 collection offered a compelling fusion of art, fashion, and performance, inviting viewers to reconsider their perceptions of clothing and its potential as a medium for self-expression and exploration.

Creative Director Satoshi Kondo, who has been at the helm of Issey Miyake since 2019, paid homage to the brand’s founder by staying true to his legacy of fusing art and technology. The Fall/Winter 2025 collection struck a balance between a sense of freedom and an intentional embrace of the unknown, encouraging wearers to explore and interpret the garments in their unique ways.

Issey Miyake has long been known for treating fabric as sculpture, and this season reaffirmed that tradition with voluminous forms and a playful disregard for conventional fashion rules. The collection felt personal yet open-ended, allowing individuals to inhabit the clothes and express their personal style.

In essence, Satoshi Kondo’s creative direction for Issey Miyake’s Fall/Winter 2025 collection honored the brand’s rich history while pushing the boundaries of fashion and art. The result was a series of captivating garments that invite wearers to engage with the clothing and make it their own.